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A Visit to Michele Chiarlo Vineyards and Winery

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This was the first winery stop on our most recent trip to Italy. We were drawn here because our most favorite and excellent dessert wine is Michele Chiarlo’s Nivole, Muscato d’Asti. Our kids have called it ‘liquid Heaven’.

This collage was created from Michele Chiarlo wine labels

La Court is the perfect symbiosis between nature, the landscape and the efforts of man

Our trip started with a visit to the Monferrato-area vineyards to see where the Barbera grapes are grown, and we then followed up with a wine tasting at Chiarlo’s winery.

So, where are we actually? We are in northern Italy in the region called Piemonte (Piedmont in English for some reason). Within the region of Piemonte is the Barolo area south of Alba, where Nebbiolo grapes are grown for Barolo. But right now, we are in the northeastern area known for the Barbera grape used in, non-other-than, Barbera wines. As we are close to the town of Asti, the Barbera wine produced here is known as Barbera d’Asti…and there are some other Barbera wine names associated here, too, as I’ll explain below.

The actors in this 3-act play are: my lovely wife, Ellen; sister- and brother-in-law Leslie and Craig Johnson, who are wonderful travel companions; and of course, me. And, there is a guest appearance by none other than Alberto, our host for the day.


Act One: The Vineyard of La Court

In this photo, you see the beautiful vineyards of La Court.

Photo from the Michele Chiarlo website

The copse of cypress dead-center in the photo were planted in the mid-1800s and are the symbol of the La Court vineyards. I use the term vineyards, instead of the singular vineyard, as there are eight different vineyard plots seen situated around the farmhouse at the upper-left of the photo. Each of the eight is planted in Barbera grape vines, but the grapes grown in the various vineyards are each handled and vinified differently to produce four different DCOG wines.

[I’ll cover what DCOG means in another article, but for today’s purpose, it means that the vineyards used in the four wines must face this direction or that, must have a certain slope, maximum production per acre, etc — all to protect the name and reputation of a particular Italian wine type, which in this case is Barbera d’Asti…think of a government-sponsored Good Housekeeping Seal of Approval…that does still exist, doesn’t it?]

For our visit, Alberto parked at the old farm house and we walked under the Le Orme archway toward that ancient copse of cypress.

You can see that the vineyard to the left of the path has recently been replanted with new vines

As we strolled, Alberto explained the layout of the vineyards and the wines produced from each of the areas that surrounded us.

Grapes in these vineyards are picked by hand, and not every cluster of grapes is worthy of being selected for harvest…like this cluster which was passed over during the previous week’s picking.

I’m kind of glad that these were of inferior quality, as we got to sample them right off the vine…and they were sweet and tasty.

 

At the time of our visit, workers were busy planting new vines in the northern-facing vineyard.

And that soil? Yes, it is typical of Italian vineyards in that it is high in mineral and low in organics. As their website suggests, it is called “astiane sands'’, and it consists of calcareous clay marl of sedimentary marine origin, with good presence of lime and sand, rich in microelements, in particular magnesium.”

 

This particular set of hillside vineyards is unique in Italy, as it is also known as the Art Park La Court. This art park is said to “celebrate the marriage of wine and art set within a landscape recognized as a UNESCO World Heritage Site.” Besides the archway under which we started our walk, there are other works of art throughout the vineyards.

The most interesting of the art works are the helmeted “wine row pole heads” found at the end of many of the rows of vines. Here are a smattering of these artistic accouterments, each decorated with a different species of animalia. As always, if you click on a thumbnail image, you will get a larger view.

The surrounding countryside is as picturesque as you would want as you visit an Italian vineyard.

Here is the bark of a 170-year old Italian cypress

The old farmhouse is a picturesque fixer-upper that I found to be artistically endearing. Here is my digitally-painted rendering

 

Act Two: The Winery

Michele Chiarlo’s Barbera winery is situated in the town of Calamandrana.

This is the winery where the Barbera grapes are vinified into the various Barbera-related wines produced by Michele Chiarlo.

We are now about 4 miles from the La Court vineyards where we learned of the land where the Barbera grapes are grown.

We drove by this sign three times before seeing and saying, “Oh, there it is!”.

 

Alberto took us through the wine-making process where grapes are pressed for their juice and then undergo fermentation in these stainless-steel tanks.

 

After fermentation, the wines are aged in barrels…some large and some small.

The barrel just below holds a Nizza wine. It will age in this barrel for 18 months. But a Nizza Riserva will barrel-age for 30 months.

The wording on the white label of ‘Atto a Nizza’ translates as ‘Nice Act’ in English

Though the wine making is an ancient art, the bottling is strictly modern, as you can see below.

And the wine that is being bottled at this moment? Why, it’s the Barbera d’Asti made with grapes from the just-visited Le Orme vineyards that we visited just moments before…and that we will be sampling in just a moment.

 

Act Three: The Tasting

Photo from the Michele Chiarlo website

I have to admit that this is my favorite part of a winery visit…the tasting.

Here is the tasting room, with the full line-up of wines that Michele Chiarlo produces.

 

Leslie is attentive to Alberto as he explains the intricacies of the wines, but I’m busy tasting this nice, white Arneis…and look at those lovely legs left on the glass because of the viscosity of the wine. This is the day that we fell in love with Arneis, as mentioned in a previous article here.

Also, we were able to taste the La Court Nizza Riserva, which had its grapes grown a the La Court vineyards just visited.

Though Nizza is made from the Barbera grape which, in this case, comes from vines planted in 1976, the overall vinification methods of this Nizza wine started recently in 2014. So it is a relatively new type of Barbera wine.

At the 50 acres we visited earlier in the day, only 7 acres are dedicated to the growing of the grapes destined for Nizza.

They recommend drinking Nizza with agnolotti with a wild rabbit sauce, tagliolini with porcini, roasted veal, or well-matured cheeses. It’s been awhile since we whipped up a wild rabbit sauce (like, never), so I would drink this with just about any Italian pasta. I mean, why not…right?

 

The next tasting was Le Orme, Barbera d’Asti. This is the wine which we had just observed being bottled.

This wine is readily available in the US market and we’ve had it at numerous restaurants.

The wine has been aged for 16 months, or “16 mesi” in Italian.

The color is ruby red with hues of violet. It is described as “elegant and intense, with notes of fresh mature red fruit, such as cherry and currant.” To me, it tastes like a nice red wine.

In case you want to be told what to drink this with, they suggest “Pasta with tomato, pizza, Livorno style fish, and white meat”. I’ll have a glass with my pizza, please.

 

At some point above, I suggested that one of the reasons we visited Michele Chiarlo was our familiarity with their dessert wine, Nivole.

Nivole is a Moscato d’Asti wine…meaning it comes from the white muscato grape and is from the Asti area of Piemonte. Asti is the number one place for the production of moscato-based dessert wines. And, Michele Chiarlo’s Nivole is recognized as the very best of the moscatos.

This wine has a brilliant straw color. After pressing the grape, the must is stored in a tank at 28°F and is followed by slow fermentation in an autoclave at a controlled temperature until the alcohol content is right at 5%. During this process, a part of the carbon dioxide developed during fermentation remains “entrapped”, giving the wine its mild, natural effervescence. Before bottling, it then undergoes a process of micro-filtration to give the wine its clarity, purity and stop any further fermentation of the yeasts. Many Moscato d’Asti wines are almost as effervescent as a prosecco, but Nivole’s bubbles are pleasantly subtle.

I’m not much on ferreting out notes of floral, tobacco, certain minerals and such in red wines, but I’m definitely into the velvety, apricot-like taste of Nivole.

Here is something that encouraged us to bring back several bottles of Nivole. In the USA, a 375ml bottle (half of a typical bottle of wine) costs almost $20. At Michele Chiarlo’s wine shop, a full size, 750ml bottle costs just over $10. And, being a sweet white wine, it keeps a good while in your refrigerator with the top screwed on.

The white muscat grapes for Nivole are grown up near Asti, and the lay of the land is very much different than that at La Court. In the photo below, you can see the vineyards for Michele Chiarlo’s Nivole, Moscato d’Asti. Just gorgeous, isn’t it?!

Photo from the Michele Chiarlo website


Michele Chiarlo Winery

I know that you didn’t enjoy our visit to Michele Chiarlo as much as we did, and I’m very sorry about that. But amends can be made. Just go there for a visit yourself! I know you will enjoy it. And say ‘Hello’ to Alberto from the Johnsons and the Burketts.

Ciao for now,

Steve

p.s. Feel free to leave comments below!

Transforming Two Venetian Water Gates

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Just got back from Las Vegas with my bride, celebrating our 43 years of marriage. My, how time flies. So, today, just a short transformation of two water gates from Venice.

You’ve seen my transformations before…some simple, and some a bit complex. Today’s has a mix of both.

First of all, what is a watergate? In Venice, one travels by foot or by boat. No, there are no automobiles. No, there are no bicycles. The only way to get around is by foot or boat. So, boats are an important part of the transportation sytem in Venice.

Buildings in Venice, whether hotels, homes, or businesses, have entry doors on a calle, or pedestrian street. But, many also have a door that opens onto one of the 150 or so canals. For a restaurant, for instance, a supply boat can pull up to the watergate to unload produce. For a hotel, a water taxi or gondola can pull up to the watergate to load or discharge passengers. Many hotels have this feature. So, let’s do some transformation of a couple of snapshots into into fine-art photos.


Transformation #1

So, here is the first snapshot of a watergate that I will transform for you. This is a pretty simple transformation.

As you can see, this is indeed just a snapshot…there is not much charm in this photo, and you would definitely not want such a photo hanging on your wall.

One thing you will notice is that the carving of the nice man (I don’t know what else to call him!) is barely in the photo. And of course, the photo is not level. And, it just doesn’t look very nice, and there is no point of interest, and there is very little in the way of pleasing color.

So, after just a small bit of work, here is my interpretation of this particular canal-side watergate.

The photo has been straightened, the loose head is now more prominent in the photo, and I have livened up that dull door a bit. I hope that you will agree that this is a much more pleasing photo of a Venetian watergate.


Transformation #2

Here is another watergate snapshot from one of many trips to Venice.

I completely blew the capture of this watergate. I failed to even get the top of the watergate’s decorative arch and grill work. Hmmm, I’ll have to figure out how to resolve that issue.

And what about that boat? That’s not the sort of boat I like to see as I strive to present you with a timeless Italy. So, I’ll have to do something about that boat, too.

Do you think that a Venice of yesteryear would have those electrical conduits on the outside of the building? I don’t either…so I’ll have to resolve that issue.

After a bit of work, here is my first try.

Photo straightened? Check. Conduits removed? Check. Wire hanging down to that window on the right removed? Check. Arch rebuilt? Nope. Boat removed? Nope.

As you’ll see in the photo below, with a good bit more work in the pretty-darned-creative department, I’ve now removed the boat. That was a bit of work, as I couldn’t get the motor started. But, perseverance paid off.

Now about that arch. I just couldn’t figure a good way to imagine what the top looked like, nor how to construct it. So, if you look above at Transformation #1, you can see that I just borrowed that photo’s arched opening and wallah, it’s done.

As I found that window at top left distracting and I didn’t want to build a new one, I just took it out and added a bit more brick work at the top of the photo to frame the watergate better.

The door to the watergate? I gave it a bit of color. But, I’m still happy with that.

Below, I’ve added a bit of ancient Venetian patina to the photo. But, that door is still lost in the photo, and it is the star of the show.

Finally, here is the finished transformation. No boat. No conduits and wires. No missing arched opening. And, a bit more color.


I hope you have enjoyed today’s transformations. And oh, if you are staying in a hotel with a watergate, when the doors are opened, please don’t step out unless a boat is present!

Ciao for now,

Steve

Allegrini Winery

Any idea how many different wine-producing companies there are in Italy? I don’t know either, but I know that there are a lot of them.

I now have a favorite in northern Italy (Banfi is my favorite Tuscan winery), and it is Allegrini. Read on and I’ll explain why.

Villa Della Torre

Our Visit to Allegrini Winery

olmo-1.jpg

We had a lovely 10am visit to Villa Della Torre headquarters of Allegrini wines. The Allegrini winery, situated in the heart of the Fumane region, is a beautiful and historical villa. Fumane is in the Province of Verona, in the Italian region called the Veneto, which is in the northern part of Italy.

The Allegrini family have been active in Fumane since the 16th century.  The 6th and 7th generation of Allegrini are actively producing Allegrini wines today.

Olmo guided us around this lovely property. Here he explains the locations of the various vineyards of the Allegrini winery, as we wait to taste the wines of our tasting.

 

Sister-in-law Leslie looks about on the grounds of the Villa Della Torre.

The Villa Della Torre, was built in the late 1500s. One of the most mysterious features are the fireplaces, shaped like huge monsters…something to do with the Renaissance idea that man can tame nature, perhaps. Whatever the reasoning, the four different fireplaces are quite a spectacle. They represent, from left to right, the devil, a sea monster, angels holding open the mouth of some un-identified creature, and brother-in-law Craig with the lion fireplace.

Here, Olmo explains the soil layers of the vineyard that produces the grapes for the Palazzo Della Torre wine. Yes, this is a quality soil…very low on organics (i.e. dirt) and high on mineral.

 

The Wines of Allegrini

Below you can see a sampling of the wines produced by Allegrini. From left to right they are their white wine called Soave, the fabulous Amarone, Valpolicella Classico, Palazzo Della Torre, and their recioto (sweet) Giovani Allegrini.

The Grapes of Allegrini

Five grapes varieties are responsible for the red wines of Allegrini. They are (from left to right, below) Corvina Veronese, Corvinone, Rondinella, Molinara, and Oseleta. And a small bit of the Sangiovese grape is used in some of the wines.

The Palazzo Della Torre Wine

As it is an outstanding wine for the price, I will be focusing on the Palazzo Della Torre wine label.

w-palazzo della torre.PNG

Giovanni Allegrini began to cultivate the abandoned land of the Palazzo Della Torre. In 1978, the grapes grown there were used to make the first Palazzo Della Torre wine, but it wasn’t until 1990 that Palazzo Della Torre underwent a revolutionary technique known as ‘double fermentation’, and this is what put it on the wines-of-Italy map.  

In the Palazzo Della Torre wine production, the grapes (Corvina Veronese 40%, Corvinone 30%, Rondinella 25%, Sangiovese 5%) are harvested by hand, rather than by machine.

About 70% of the grapes are pressed for their juice and then fermented in stainless-steel vats to produce a stage-one wine. While this wine is aging, the other 30% of the grapes are set aside for appassimento, or grape drying. These grapes are dried until January, at which point they are pressed for their raisined juice. This subsequent pressing, called a must, is added to the already produced wine, which regenerates it for a double fermentation — this in oak casks. What results is the absolutely delicious and reasonably priced Palazzo Della Torre wine. As it is usually less than $15, it is a fabulous bargain.

Click on the image to the right to see a nice diagram of the Palazzo Della Torre process

 

The Amarone Wine

OK, this is THE wine of northern Italy. If you want to splurge a bit with a truly fine wine, go for Amarone. Its richness of flavor is not in any way accidental…it is the appassimento process that makes this wine so fine.

w-Amarone.PNG

Amarone production has similarities to the just mentioned Palazzo Della Torre in that its grapes (Corvina Veronese 45%, Corvinone 45%, Rondinella 5%, Oseleta 5%) are dried from 100-120 days (depending on the winter weather) before they are pressed for their juice. Where only 30% of the Palazzo Della Torre grapes are raisinated through appassimento, all of the grapes for Amarone are dried before pressing.

The soil for growing the grapes for Amarone is varied, but mostly clayey and chalky soils of volcanic origin. Hand harvesting of only select grape bunches is carried out in late September. The appassimento (drying process) finds the grapes being naturally dried for 3-4 months in the drying facility, where the grapes lose 40-45% of their original weight. They are then de-stemmed and soft-pressed in early January.

 

Appassimento - The Grape-Drying Process

Wonder what those raisinated grapes look like? The two photos below will give you an idea of the drying results.

The drying grapes are spread in plastic racks that are stacked in a drying warehouse. The odor from these drying grapes is marvelously heady.

 

Here is what the raisined grapes look like after drying.

 

So, that’s the story of our visit to the Allegrini winery. The visit was great, and the wines that they produce are of exceptional quality. Their Valpolicella, Palazzo Della Torre, and their Amarone come highly recommended by those of us who have tasted them. And then there is their recioto, or desert wine, known as Recioto Giovanni Allegrini…oh, so yummy.

Though you may not be able to visit the winery, you can visit their wines at your local wine store. And, you will probably find me pulling a few bottles off the rack, too.

Ciao for now,

Steve


A Trip to Italy in Your Future? Read On!

Index of Blog Articles

Though there are no photos specifically related to the subject of today’s article, I have sprinkled in a few photos from the Lake Como environs to break up the text monotony. Click on an image for a larger view.

Introduction

My wife Ellen and I love Italy. We love to go to Italy. When we are not in Italy, we love talking to each other about Italy. And we often find ourselves talking to others about our love of Italy…sometimes, when prompted, but often just out of the clear blue…like that clear blue sky on a warm Tuscan afternoon, or the clear blue of the waters off the Isle of Capri, or the…sorry, there I go again!

Our reward in talking to others about Italy is the voyeuristic joy of mind-traveling there. After all, we can’t be there all the time, right?

It’s really nice when someone asks me specifically about travel to, and in, Italy, rather than me just rattling on uninvited. A couple of friends did so recently. L asked about pre- and post-cruise visits to Rome and Venice. M asked about travel to the Lake District, specifically Lake Como. As we have been to each on several occasions, I feel comfortable in my responses.

 

Disclaimer

Besides the mind-traveling voyeuristic joys, I get joy in passing on tips that might help readers get more enjoyment from their visit to Italy. But, I want to make it clear that we have not been to all parts of Italy, and I would not try to wax endlessly about some place that we have not visited. However, where we have visited, I feel compelled to share our experiences, as I can often clarify some otherwise-confusing things, especially where our own experience was a learning experience, sometimes learning the hard way (see Get Lost!!! and Wild Goose Chase, for example).

 

My Blog Articles

Today’s blog article is number 80. I have to admit that several of those 80 articles were related to my horn-tooting regarding recognition of my photography…I am a bit proud of that. But, by-and-large, most articles concern eating, drinking, lodging, the land, or the people of Italy. So, hopefully wedged in there somewhere is information that may be of benefit to you as you make your way to and within Italy.

As it turns out, I have an index of those 80 articles. And that index is organized in what I hope is a helpful way. That index is called the Index of Blog Articles, and it can be found at the top-right of the more recent blog articles.


This Index of Blog Articles is organized by publication date (the left column) and by subject (the right column). The subject headings are:

  • Getting To & Around Italy

  • Go There: Amalfi Coast

  • Go There: Lake District

  • Go There: Piemonte

  • Go There: Tuscany

  • Go There: Valpolicella Area

  • Go There: Venice

  • Go There: Miscellaneous

  • Adventures & Anecdotes

  • Eat Here

  • Stay Here

  • Italian History Tidbits

  • Italy-Photo Transformations

  • Photography Itself

  • Miscellaneous

  • Recognition


Articles in the subject column may appear in more than one subject heading. For example, the sections on where to eat and stay (I’ll let you guess under which headings you will find those) are also found in the appropriate Go There:-specific sections, also.


So, back to L who wants to enjoy Italy before and after a cruise…a cruise that ends in our favorite Italian town of Venice. What I provided to L is a reference to my Index of Blog Articles. As they are going to Venice, an obvious set of articles would be found in Go There: Venice. But, as they first need to get to, and then around, Italy (there may be little choice in this matter because of the cruise aspects of the trip, but there may be some leeway) the section titled Getting To & Around Italy should be of interest, also.

 

And now for M, who is thinking about Lake Como. I directed him to the Go There: Lake District section. As of this writing, only Lake Como is covered in that section, but articles on Lake Maggiore, Lake Garda, and Lake Lugano are in the works. And, as I have suggestions on getting to and around Italy that I think will be helpful to M, I directed him to Getting To & Around Italy, also. Finally, as I’m hoping that M will stay other places in Italy, I suggested that he look at other Go There: articles for places he may enjoy visiting.

 

OK, I think you can understand the benefit of checking out my blog articles as you plan your trip to Italy — and specifically using the Index of Blog Articles you will find at the top of each blog article. Give it a try, and then let me know how it worked out for you…maybe I can create an articles about your own experiences!

Ciao for now,

Steve

 

Transforming a Barolo Door

Today’s blue door did not start off blue, but brown. I wasn’t too happy with the exterior decorator’s choice of color, so I painted it blue myself

This week’s article is a simple transformation of a theoretically photogenic door. At the time that I saw the door in the small town of Barolo in the Piemonte, I suspected that I could turn that door from a snapshot into a fine-art photo. Let’s see what you think…

The favored wine of the Langhe of the Piemonte is the Barolo wine, which is named after the small Langhe village of non-other-than Barolo. This village is most assuredly photogenic. In future blog articles, you will see other ‘Transformation…’ articles featuring photos taken in Barolo.

Here is the final transformed door, just as I imagined it when I took the photos there in ‘the field’.

Today’s blue door did not start off blue, but brown. I wasn’t too happy with the exterior decorator’s choice of color, so I painted it blue myself…digitally, of course. And, to be sure that I had enough high-quality pixels to use in this transformation, l elected to take three photos that I would then stitch into a panorama.

Here are the three original snapshots that gave me what I needed for this transformation.

After stitching the three photos together into a lethargic panorama, as seen here. Not much to look at, huh…except for a lot of distortion.

The doorways to the left and right were just distractions to the star of this show — that being the multi-paneled door. Now I pulled out the paint brush and changed that dull door into a nice blue, rustic door. Additionally, that metal plate on the brick street needed to go, so I eliminated it. The door to the left and ally to the right also needed to go, so I eliminated both of them. Here is the transformation, thus far.

Oh, about that letter slot. Normally, I eliminate obviously modern paraphernalia like pad locks and letter slots to go along with my desire to give you a timeless Italy. But, this letter slot intrigued me. I like the patina and the fact that it says ‘Lettere’ (that’s Italian for ‘letters’, by the way). So, I decided to leave the letter slot in place, which I’m sure pleases the residents no end.

The last thing left is that disturbing distortion in the stone work of the wall…done. And once again, here is the final, transformed blue door of Barolo.

So, how did I do on the job of transforming that dull, brown door?

I hope you enjoyed today’s image-centric article.

Ciao for now,

Steve