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Transforming a Blue Boat

Just a quick transformation today to remind you what I do with snapshots taken in Italy, to take them back into that more ancient time for which I strive.

Here is the original photo of a blue boat in the Cannaregio sestiero (district). 

Original snapshot of the blue boat

If you've read many of my transformation articles in the past, you will notice several issues that displease me here -- specifically the modern objects that I loathe in my Venice photos. And there are several modern objects in this photo. Like a boat motor and metal conduits that just did not exist in my timeless Venice. And I don't like that piece of window to the right. So, they have to go. Here is the photo without those distracting elements.

Distracting elements removed from the photo

There seems to be an imbalance in the photo just above. I don't like that large blank area to the top right. It needs something of interest. I'm thinking that another stone balcony would work well here. So, I duplicated the balcony to the left, flipped it horizontally so that the perspective would be correct, and placed it to an appropriate place to the right. Below is the new image. 

New balcony added to the top right of the photo

Now we're getting close. I need to add a bit of mood to the image, so I darken it some and add some texture, to get this image below. 

Mood added by darkening and texture...but a few distractions remain

At this point, I noticed a few more distractions and I just have to remove them. There is a boat registration number on the boat that I doubt would appear in times gone by. And there are a few more items, like a small piece of rope on the window to the right, and some items at the bottom of that same window. Oh, I also note that there is a light bulb above the door. And that bright wood behind the door's wrought iron is too bright. Here now is my final photo.

There you have it...but as usual, I also like to create a digital painting version of many of my photos...so here is that photo, also.

That's it for today...just a simple transformation of a Venetian scene with a blue boat.

Ciao for now,

Steve


Transforming the Pozzi

Last week, I showed you several of the water wells that can be found around the city of Venice. Though these wells, or pozzo (singular) and pozzi (plural), are not used today, they have a certain historical significance for the Venetians.

“The last pozzo is the most challenging...there is no way to remove these elements — right?”

The photos you saw last week were a far cry from what I stared with out of the camera. So, this week, I give you a look behind the curtain to see what transpired to get the photos more presentable for you. After all, you may remember that my goal is to present to you a Venice of bye gone eras. This means that I have to meet the challenge through manipulation. So, here goes...

Pozzo #1

In this first snapshot, you can see that the pozzo is not the center of attention. It has to compete with a doorway, doorbells, and conduits of various sorts. Want to see a larger view of a photo, just click on its image.

1 - Yucky original snapshot.

Below, the distracting elements have now been removed.

2 - Distractions removed

Finally, a richer texture was added and the pozzo was isolated by blurring the newly-created background a bit.

3 - Final photo

Pozzo #2

This beautiful floral-themed pozzo is found in a nice, quiet courtyard. The original snapshot was off-kilter a bit, and it had a distracting background.

1 - Unlevel cluttered snapshot

Below, I've worked on the background to simplify it so that more focus is given to the pozzo.

2 - Background simplified

Finally, the background has been darkened and placed out of focus, and the pozzo has been given a richer texture.

3 - The final, cleaned up pozzo

Pozzo #3

Here is another pozzo that is found in a campo with distracting elements -- in this case, iron-barred windows -- I'll show you more on these windows in the future.

1 - Distraction abounds beyond this pozzo

Below, you can see that the windows have been removed, as if by magic.

2 - No more windows!

Finally, as before, the pozzo is given focus through isolation and texture.

3 - The completed pozzo photo

Pozzo #4

This last pozzo is the most challenging...just look at all of that stuff in the background of this busy campo. We have plants (palm trees, no less), windows, urns, lions, and even my reflection in the door of the Venice Best Western hotel. For sure, there is no way to remove these elements -- right?

1 - A busy courtyard with busy, distracting elements

As if by magic, I was able to reproduce enough of the wall stonework to fill in the background...but I have to admit that I had the help of Harry Potter as I worked this magic.

2 - Now, no distracting elemnents

After a considerable amount of time and effort, I present to you the final photo, below. I doubt that you noticed, but there is a bit more water issuing forth from the spigot than the trickle of the original snapshot. 

3 - The final photo with its rich texture and color -- along with a more generous stream of water

Well, that's it for this weeks transformation. Though the Venetians no longer have to rely on these pozzi, rest assured that they treasure them. And, I'm proud to present them to you in a more positive light.

Photo Tip: When photographing an object like these pozzi, get low before you snap the photo. The subjects will be much more interesting than if photographed looking down at them. And this works especially well when photographing children!

 

Ciao for now,

Steve

Venetian Pozzi

What is a pozzo or pozzi, you ask? Well, I'll tell you. Read on.

Venice is a city that sits in a saltwater lagoon. It is an island...well, several islands...like about 117 islands. The point is that fresh water is very difficult to find when you are on an island surrounded by saltwater. That's where the marvelous invention of the pozzi come in.

This is perhaps the most gorgeous of the pozzi, and it is well preserved. The 'F' of the stonework probably stands for Franchetti, as this pozzo is found at the Palazzo Cavalli-Franchetti, next to the Accadamia bridge.

A pozzo is a well, where pozzi is its plural. A typical well is created by digging or drilling down until one finds fresh, potable water. This has been done for centuries. But in Venice, if one digs down to water, it will be that same old saltwater that surrounds and permeates the city of Venice. So, how is a Venetian well different that those of the millennia?

A simple pozzo with a nice leaf design.

The Venetian engineers who designed and constructed the pozzi knew at what level the lagoon's non-potable water sat under the buildings and open spaces (campi) of Venice. The foundational 'ground' elevation of Venice  was created by driving millions and millions of tree trunks into the mud of the lagoon. The church of Santa Maria della Salute that I mentioned a couple of weeks ago had over one-million trees just for its own foundation. These pilings and the soil packed around and on them were used to raise the ground level upon which the city was built to a consistent level.

This pozzo has a lifting pulley for lifting water buckets, as well as a spigot with basin, for which the plumbing is a mystery to me.

These engineers knew that they could dig out the area under the campi to a certain level to create huge stone-lined cisterns for storage of rain water. After excavation of a campo, stonework was laid down on the bottom. Stonework was also laid down to form the walls of these large cisterns, as well as a loose stone cylinder which would make up the pit of the well . Then, the stone-lined excavation was filled with sand and covered with loose-fitting paving stones. Finally, a stone well (you know, like a wishing well) was set up in the middle of the campo right above the stone cylinder. Got it? If not, here is a nice cross-sectional drawing of a typical pozzo.

Cross-section of a typical pozzo of Venice. Illustration from Wikipedia by Marrabbio2

So, all that was needed now was for the rains to fall upon the city of Venice. That rain water seeped through the loose-fitting paving stones of the compo and collected within the sands of the cistern. Viola' -- water for the citizens of Venice. 

This pozzo is well protected in a courtyard. The lion motif is emblematic of Venice, as it is the symbol of Saint Mark.


I love the amphora of this pozzo. It also has an iron covering mechanism. 

Very simple...very functional...and the water will taste as sweet.

This pozzo has a leaf patter similar to the second of the pozzi shown above. The cross and shield embellishment seems to reflect Venice's relationship to the Crusades.

Another well-decorated pozzo, this one in a botanic motif. 

Though very old, this pozzo has another of the spigots with basin. I suspect that today, it is connected to the Venetian system of fountains which dispense excellent water from the Italian alps. 

I hope that you have enjoyed finding out a bit about how the Venetians kept hydrated over the centuries. Today, excellent, fresh water is brought down from the Italian alps, which one can actually see from the campanile of Venice on a clear day. 

Each of the photos you see above took a good while for me to get it to the point of being presentable to you. Again, my goal is to give to you an ancient Venice -- a Venice of another time. In next week's article, I'll show you a number of before-and-after transformation which lead to these pozzi images.

 

Ciao for now,

Steve

The Sestiere of Venice

“Every once in a while, I’ll tell you more about a particular sestiere, in order of my personal preference for visiting. Today, I give you the sestiere of San Marco. ”

 

Last week I told you about the Punta della Dogana, and in that description, I mentioned the 'sestiere' of Venice, and I promised to explain what they are about.

A 'sestiere’ is a subdivision of certain Italian towns and cities, like Venice. The word comes from the Italian sesto (‘sixth’), so it is used only for towns divided into six districts. This means that Venice would have six districts…which it does. Very convenient!

 

Sestiere Overview

Here is a map of the six sestieri (sestieri is the plural of sestiere)..

pescesestieri.jpg

If you count the colors and names, above, you will actually see seven districts. This is because the Giudecca along the bottom of the map, though technically one of the districts, is not traditionally counted among those of Venice, proper. Nor is the Lido, which would be still lower on the map if it was displayed. And there are many other area of the Venetian lagoon which are not counted in the sestiere, like Murano and Burano.

The 'ferro' of this gondola has representations of the sestiere of Venice. The six rectangular bars protruding to the left represent each sestiere, while the one aimed to the right represents the afore-mentioned Giudecca. The other, fancier protuberances to the left? Unofficial embellishments by the owner.

Each of these districts has its own charms -- some more popular than others, and thus, some are much, much more crowded. But if you want to be where the action is...where the main attractions sit, you may well want to find lodging within these popular sestiere. Here's the thing: many of the tourists who descend on Venice during the day are not actually staying on the Venetian island, and most vanish around 5pm each afternoon to catch a bus back to the mainland.

Every once in a while, I'll tell you more about a particular sestiere, in order of my personal  preference for visiting. Today, I give you the sestiere of San Marco. 

Introduction to San Marco (Saint Mark)

In this photo, I'll put some focus on the sestiere of San Marco. This photo gives you an idea of the true size of Venice. Though San Marco is one of the smallest of the sestiere, you can see in the photo below that there are many, many buildings in its warrens. For you, that means that there is much to explore!

The sestiere of San Marco is chock-a-block full of marvelous sites, restaurants and hotels. First and foremost is the Piazza San Marco (the most obvious area of the photo, above), where you will find, besides the huge piazza itself, the Basilica San Marco and the Doge's Palace. The Museo Correr, within one of the buildings which form the piazza, is an excellent way for you to find out about the ancient town where you now find yourself.

A side note regarding the Piazza San Marco: there is only one 'piazza' within Venice, given the moniker because of its size; the rest of the public open areas are called either a 'campo' or a 'piazzetta'. 

San Marco is also where the beautifully-restored La Fenice opera house is located. Also in San Marco are the large campi of Santo Stefano and Sant'Angelo, which can be seen within the bend of the Grand Canal to the left of the photo.

Shopping San Marco

Shopping? My gosh but there is a lot to buy within the confines of San Marco. From trinkets and hand-fashioned glass, to designer labels of every sort.

My wife, Ellen, has twice purchased frames for her eyeglasses within San Marco. Here is a pair, though, that she did not buy!

The two main shopping streets are Calle Larga Ventidue Marzo, which connects the Piazza San Marco with Campo Santo Stefano, and the interlinked Merceria San Zulian and Merceria Orologio, which lead from the Rialto Bridge to Piazza San Marco.

The Look of San Marco

So, San Marco is where the action is. If you visit Venice and do not travel to San Marco, you really haven't been to Venice, at all. In the photo below, all of what you see along the water in this photo is within the district of San Marco.

A panorama of a good bit of San Marco, taken from the campanile of the church of San Giorgio Maggiore

Here are a few photos that I've taken within San Marco's boundaries.

Digitally painted, hidden-away area of San Marco

And here is the Piazza San Marco, which Napoleon dubbed 'Europe's Drawing Room'.

A view of the massive Piazza San Marco from the balcony of Basilica San Marco

Sleeping San Marco

Our favorite place to stay in San Marco is the Hotel Flora. This hotel is an oasis of tranquility withing the hubbub of San Marco. Here are a couple of photos of this quaint hotel. The windows at the top of the hotel...ours. 

Eating San Marco

Our favorite San Marco restaurant? That would be Antico Martini. This excellent restaurant has been in continuous operation since 1720. Here are a couple of photos of Antico Martini, both current and very old.

So, that's the sestiere of San Marco. If you go to Venice, you need to spend at least one-whole day in this essential district. Want to see some of the out of the way places? I'll take you there.

 

Ciao for now,

Steve

 

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Transforming the Punta della Dogana

 

Today’s transformation and short (maybe a wee bit long…OK, longish) history lesson concerns a point of land in Venice with the beautiful church of Santa Maria della Salute and the Punta della Dogna. I hope you will stick with it, because this little point of land will give you a good sense of Venice – both its religious and economic side.

A point of land like this is what one friend calls, ‘a stick-out place’.  You can see why it’s called a ‘point’ in this photo.


There are two main attractions of historical interest on this point, the Dogana (the brown triangle building at the point) and the church of Santa Maria della Salute (just above). Both sit in the Dorsoduro sestiere of Venice. What’s a ‘sestiere’ you say? I’ll save that for another article…maybe next time.  

 

The Punta della Dogana 

This was the customs stop for all ships coming in to Venice. ‘Punta della Dogana’ is literally translated as ‘Customs Point’. The arriving cargo ships were inspected by customs officials and taxes were levied on their goods. I seem to remember that the very precious commodity of salt was stored in the warehouses of the Dogana.

The tower at the very tip was built in the latter part of the 1600s, and it includes a particularly charming embellishment on the very tippy top – see the little golden sphere in the photo?

Here is a better view of that sphere with folks who look like they're at their health club.


This tower is crowned by twin Atlases holding up a bronze globe…laborious and backbreaking work which they have endured for over four centuries. Standing atop the globe is another statue, this one of Fortuna, or "Fortune", which acts as a weathervane as she holds out either a ship’s rudder or a piece of her garments (you decide) to the wind.

Are you a fan of Henry James? Let’s let him describe her in his more lyrical way, from his Italian Hours essay on Venice:

“The charming architectural promontory of the Dogana stretches out the most graceful of arms, balancing in its hand the gilded globe on which revolves the delightful satirical figure of a little weathercock of a woman. This Fortune, this Navigation, or whatever she is called—she surely needs no name—catches the wind in the bit of drapery of which she has divested her rotary bronze loveliness.”

How about those poetic ‘little weathercock of a woman’ and ‘her rotary bronze loveliness’ phrases? If I were single, I’m sure those phrases would be part of my pickup-line repertoire.

Santa Maria della Salute

This beautiful church is the jewel of this stick-out place. This church is iconic of Venice. You just don’t go to Venice without seeing it, and once seen, it is indelibly etched into your mind.

Here is a view captured in one of my digital paintings.

Digital 'painting' of the church of Santa Maria della Salute

The church's name is usually just shortened to ‘The Salute’. The word ‘salute’ translates to ‘health’, and there is a special reason for their use of that name, which will be revealed shortly.

At the top of the dome stands a statue of the Virgin Mary, who presides over the church which was erected in her honor. The façade is decorated with figures of St George, St Theodore, the Evangelists, the Prophets, and for some reason which escapes me, Judith with the head of Holofernes. We know of course that in ancient fiction her decapitation skills saved Israel from the Assyrians, but I’m not sure how she wound up on The Salute.

And what a setting for The Salute! You can see in the photo below from Google, that the Punta della Dogana and The Salute sit at the center in the photo – see the shadow of The Salute extending into the Grand Canal? The Salute sits between the Grand Canal (which is the one curving around from about the 11 o’clock position) and the Giudecca Canal (the much wider one entering from the 8 o’clock position). These two canals flow into the body of water to the right which is the Bacino San Marco, or Saint Marks Basin. [All of the dotted lines and white wording indicate the various water bus routes]

If you’ve been to Venice, you will notice something very strange in this photo. Know what it is?

There is absolutely no bridge connecting the Punta della Dogana and the area of Piazza San Marco at the top (1 o’clock position). It just does not exist…except for one day each year. So, this photo must have been taken on November 21st. Why? Read on.

Beginning in the summer of 1630, a wave of the plague assaulted Venice that killed 46,000 in Venice proper, and about 94,000 throughout the lagoon. The city and church tried everything they could think of to be rid of the plague. They repeatedly displayed the sacrament, offered prayers, and held processions to a couple of churches that they thought would take care of the issue. But all efforts failed to stem the epidemic.

So, this was the plague epidemic of 1630, but there had been a previous epidemic in 1575. What seemed to turn the trick then was an architectural response. That response was to hire the famous architect Palladio to design a ‘Savior church’, or the Church of the Redentore that you can see to the right. Voila, no more plague. Since this seemed to work a half-century earlier, they built another for the current plague.

But this new church was not to be dedicated to a mere "plague" or patron saint, but to the Virgin Mary Herself. Did it work? They say that the proof of the pudding is in the tasting, and the proof here is that the plague was lifted.

In celebration of the successful ending of the plague, it was also decided that the Senate would visit the church each year on November 21st, the day of the Feast of the Presentation of the Virgin, known as the Festa della Madonna della Salute. So, even today the city's officials parade from San Marco to the Salute for a service in gratitude for deliverance from the plague. This involves crossing the Grand Canal on a specially constructed pontoon bridge. And they’ve been doing this for almost 400 years, folks! Now that’s dedication.

As a side note, the same sort of plague-ending-celebratory-pontoon-bridge procession is still held the 3rd Sunday in July. This procession is to the afore mentioned Redentore church and it requires a much longer bridge. You can see the Church of the Redentore at about the 6:30 o’clock position on the aerial photo – it’s the white church at the edge of the photo. Through the magic of camera lenses, here is a photo from Wikipedia of the procession, using an extremely wide-angle lens that puts the Redentore on the left and Dorsoduro on the right (in reality the bridge is straight). This procession has been held for about 450 years.

 

Photo Transformation

For all of you who hated history in school, but loved photography, here is the transformation one of my photos of the Punta della Dogana.

Here is my original, blah snapshot, taken from the area known as The Molo, just across the Grand Canal.

My original, unaltered and yucky snapshot

Yuck! The sun is close to setting to the right and this creates a strong back-lit situation. The color is abysmal. There’s a construction crane, a bunch of non-lovely boats, etc. This isn’t the Venice that I want you to remember and dream about. As always, my goal is to provide you with a fine-art memento of a Venice of yesterday.

My first inclination was to just pass this appalling thing by. However, I thought I saw some potential here.

My first mission was to remove the construction crane. Then there were other modern antennae and such poking up here and there that had to go. The boats, out of here.

Now what? As there is virtually no color interest in the photo, let’s convert it to black and white.

I’ve mentioned capturing images in RAW, rather than JPEG before. Here is a good example of that benefit. Notice how the Dogana and Salute are bathed in darkness? Also, notice how there is no apparent detail to be found in the photo – no doors, windows, columns, etc.? If I had saved the image in a JPEG format, this is all that I would have with which to work. However, as I save all my images in the RAW format, I am able to pull all sorts of detail out of those shadows. Want to know more about RAW vs JPEG, go back and read my JPEG vs RAW article from last November.

I settled on revealing just a hint of detail, as it is obviously a silhouetted situation.  I could have revealed a lot more, as you can see here in this enlargement.

Yes, that's the very same image file, and it is a good illustration of the power of capturing images in RAW.

Finally, let’s put a charming gondola crossing the Grand Canal! I found one in my many photos from Venice.

So, here is the final photo which shows the Punta della Dogana on the left, with its twin Atlases and Fortuna embellishment, as well as the church of Santa Maria della Salute.

Here is another photo of Punta della Dogana from the Venice Romance section of my website.

 

Famous Paintings of Punta della Dogana

Since this sight and site has been around for over 4 Centuries, many have been captivated by it. Here are a few views from famous artists. 

These are all famous artists, but of course I have to make my own painted version of this image. Here it is.

 

I hope you enjoyed learning just a bit about the wonderful city of Venice. Someday, by chance we may meet there; and we can stare at this lovely Punta della Dogana together.

 

Ciao for now,

Steve

 

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