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Late Night at the Produce Stand

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What if there was a drink that you could enjoy after your Italian meal that would help with digesting that scrumptious experience? There is! At least, these liquids are claimed to accomplish this.

Those are the words that I had planned to start with today, as I was to end my series on Eating in Italy by covering the ‘Digestivi’ of Italy (not sure what that is? Then come back next time to find out). But hey, something came up that will significantly add to the discussion of the aforementioned ‘Digestivi’. So, that discussion will wait just a short while for things to play out. In the meantime, please enjoy my transformation of a produce stand…that sounds strange doesn’t it? To see of what I speak, read on…

I’ve seen my friend Mike reaching to test the ripeness of a fig at a produce stand...only to have his hand slapped

My goodness, it’s gotten late…and dark. I’ve spent a bit too much time exploring Canareggio this afternoon after returning from a day on the Venetian lagoon-island of Burano, which you can experience here.

Many of the shops of the day turn out to not be shops of the night. However, the neighborhood produce stand is still open. There, I see a woman asking about the produce…and she is in the process of getting a reply from the purveyor.

It’s late afternoon and what I see is not that interesting, so as I process my photos, I want to give this image more a late-night look. And, I want a more intimate repartee between the buyer and the seller. So, I’ve got work to do! Let’s get started.


The Basic Snapshot

As usual, I present to you the original snapshot. There’s a bit too much illumination for what I want to create. So, I’ll create a scene that would occur later in the evening. And do you see intimacy I’m looking for here? No, I don’t either.

The basic snapshot


Let There Be Dark!

I’ve now made this woman’s stop to purchase her supper a bit later…I hope I haven’t spoiled her evening.

From late afternoon to evening


Let There Be Two!

Four persons in the photo don’t lend the image the sense of intimacy that I’m searching for. The other two characters in this tableau have to go. Those who were walking in the background have now mysteriously disappeared…poof!

Extraneous characters removed

Now, 2 are gone…and 2 remain.


Exposure Adjustment

It’s time to adjust the lighting in certain parts of the image. You’ll notice above that the highlights are much too bright. We call that being ‘blown out’ in the digital darkroom. I’ll make some adjustments to the lighting, now.

Blown out lighting toned down


Convert to Black & White

An old photographic axiom is that when colors are not essential to the scene, convert to black and white. I’m invoking that axiom now.

When we say ‘black and white’ in the photographic world, we rarely actually mean that. A photo that has only pure black and pure white would be an extremely high-contrast photo, wouldn’t you agree? That has a place in photography, but not here. To illustrate that point, I’ll show you a version of the photo above which has only pure black and pure white.

Ouch! That doesn’t do much for the intimate mood I’m after…more like a harsh encounter.

 

Below, we now have a grayscale image that has almost completely black in the shadows, to almost white in the lights of the produce stand. Looking at this image below, you may think that there are portions that are pure black and maybe some that are pure white…but there aren’t. My software says ‘No’, and it doesn’t lie. So, we now have an image with a nice gradation of grays, or greys, if you prefer.

Conversion to ‘black and white’


The Final Photo

OK, here it is. I’ve cropped it to a more intimate scene. There appears to be a good interchange between the late-night shopper and the fruit vendor. I’m happy with this final version of “Late Night at the Produce Stand”.

The final version of ‘Late Night at the Produce Stand’

Can you tell what he is showing his customer? He is demonstrating the quality of a large mushroom…probably a portabella by the looks of it on closer examination.


By the Way, What Does That Sign Say?

‘Please, don’t touch’

There’s a sign occupying the center of the photo. I was going to remove it, but I think it relates an important point to you, our Venetian-produce-shopper-of-the-future.

The sign shows a hand reaching out with a “nope, don’t do it” symbol overlaid. And the words, “Por favor, no toque”. Translated it says, “Please, don’t touch”…and this particular sign is in Spanish, by the way, not Italian. There is also a “Bitte nicht beruhren” for the German shoppers. And, there’s even a “Please, don’t touch!” sign for us English speakers, or I should say, readers. You can see those other two signs in the original photo at the top of this page. Why is there not a sign like these written in Italian? Because, they know better.

This is typical of the Italian produce market, and much different than the markets in the US, where one can touch the produce to your hearts content. I’ve seen my friend Mike reaching to test the ripeness of a fig at a produce stand on Campo Santi Giovanni e Paolo (that’s Saints John and Paul, but they’re not who you think they are, but that’s another story) only to have his hand slapped with a harsh, “Non toccare!” So, Mike was relegated to pointing out the figs he wanted, without the benefit of giving them just a little bit of a squeeze to see if they were ripe. So, ‘buyer beware’, and ‘as is’, is the way of the day.


Thus ends another transformation. This one was a bit gentle, with no major changes in construction of buildings, boats, doors, windows, and such.

There will be a time when you might see me at a produce stand in Venice, as I try to sneak a gentle fruit-squeeze to test the ripeness of a chosen delicacy. Maybe we can work together, as you divert the seller’s attention, perhaps asking, “How do I get to Piazza San Marco?”. Let’s do it! But, until then, I say…

Ciao for now,

Steve

p.s. Mike’s figs were ripe and tasty!

Transforming to a Foggy Night

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Who doesn’t enjoy a romantic gondola ride? Probably no one, right. We always work in a gondola ride whilst we are in Venice, and you can read more about these adventures in the previous article titled appropriately, Your Romantic Gondola Ride.

But today is not about riding in a gondola, but a gondola-ride-captured snapshot and its transform it into a more fine-art photo. The transformed photo was published in the 2014 Black & White Magazine as an award winner. Here’s how I did it…and it will be short and sweet.

Click on an image to see it full-screen


First Sighting

We had just turned a bend in the Rio di San Moise canal when something up ahead caught my eye, that being the small calle up ahead that terminated right into our canal. You see it there on the left.


The Snapshot

As we approached the right turn of our route, I took this photo. I had a vision.

Funny thing about this photo. Do you see it? The blue and white sign says ‘Senso Unico’, or one-way street (or canal in this case). But we are turning right, against the sign. We’ve turned right every time we’ve taken a gondola ride. Go figure.


The Crop

Here I’ve cropped the photo to a 1:1, or square, format.


Black & White Conversion

As I was submitting this photo to a magazine that publishes in black and white, I converted the image to…you guessed…black and white.


Let There Be Dark!

I don’t want it to be day time. I want night time. So, I made it darker. I think it’s much more moody this way.


The Final Image

I like the night-time look, but let’s give it just a bit more drama by making it not just night, but a night with a bit of fog. That’s what I did to get this final photo.


As promised, short and sweet.


A Dangerous Calle

I’ve mentioned acqua alta (high water) in the past. This is an occurrence primarily in the late fall when tides and winds push up water from the Adriatic Sea and Venetians get their feet wet as they go about their day…and their calves, and sometimes their knees and thighs.

There are several places in the labyrinth of Venice where a calle will suddenly stop at a canal, like this one. If one were to be trudging through water and turn to this short calle, and if one were not familiar with this particular situation, a swim might be in one’s future, as you would not realize that the water in front of you is a canal, rather than another flooded calle.

I see the stone post in the photo. I’m guessing that this is a clue as to the fate of this calle, though I don’t remember seeing them at other dead-end calle. At any rate, if caught in the acqua alta situation, be mindful of your route.


I hope you enjoyed today’s transformation from blah, to ahh. Until next time, I say…


Ciao or now,

Steve

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Transforming a Blah Green Door to Evening Blue

For the benefit of the several new readers, I don’t just write about things Italian…I also have a ‘Print Store’ on this website. In that shop are many photos of doors and windows of Italy. The time that I take to process the snapshots that I’ve taken in Italy into fine-art photos for you is my ‘happy time’.

Yesterday a friend asked, ‘When was the last time you were in Italy?’ I replied, ‘I’m in Italy every day.’
— Steve Burkett

The centuries-old buildings of Italy are a fabulous testament to the Italian craftsmen of old. However, because of the buildings’ ancient stone and plaster construction, adding modern conveniences like water and electricity often blemish the otherwise beautiful and charming façades. I want you to see these marvelous palazzos and common buildings in their pre-modernized state. So, what I do is remove blemishes through the magic of Photoshop to bring you the Italy of yesteryear.

Today, I give you a simple example of my digital architectural restoration. The door and façade to be transformed was photographed in Venice.


Where I Start

As always, I start with the original photo. My photos will always appear as blah when downloaded to my computer. When using a professional digital camera, one has the obligation to save photos in what is known as a “RAW” format. Saving photos in RAW format allows a much greater range of subsequent digital processing than a JPEG image from a typical camera, like your smartphone. But the tradeoff is that the JPEG format looks much better initially than an unedited RAW photo.

Enough said…and if you are interested, you can see more in a previous article of JPEG versus RAW which goes into more depth here.


Now, the Transformation

This original snapshot is all wonky, isn’t it? Because I had to capture the façade in the tight quarters of a narrow Venetian calle, I took the photo using a 14mm lens, which is an extremely wide-angle lens. A wide-angle lens will create distortion. So, I’ll have to get to work by straightening up this scene a good bit.

The original image, with significant distortion


In this second version, much, but not all, of the distortion has been resolved.


Just a bit more work puts things in proper perspective. And that note about mail delivery that’s been taped to the door? It had to go.


Here is where the restoration begins. I don’t like that dull green door. I’ve decided in my own volition that the door should be blue. So, I’ve made it blue.

The surface of the walkway in front of the door needs to be constructed, so I’ve done enough of that to satisfy my vision for the final photo.

And the plinth on which the pseudo-column to the right sits has to be constructed in this renovation…so, I’m on it.


Well, in my final crop of the image, it turns out that I didn’t need all of that pavement after all, but the plinth work was essential.


The Final Image

In the final photo, I wanted it to look like the palazzo is occupied and that someone is at home, waiting for you and me to drop by for an apertivo…and from last week’s article, you should now know what that is, right? So, I borrowed backlit lights above the door from another photo of Venice.

So, now you’ve seen behind the curtain in the transformation of a blah green door, to evening blue.


That’s it for today’s rather simple restoration of an ancient Venetian doorway. If you are interested in seeing more magical door and window transformations, check out my Index of Articles and scroll way down on the right-hand list to find, “Italy-Photo Transformations”.

I’ll see you next week to find out what the antipasto course is all about in Italian dining. Until then, I say…

Ciao for now,

Steve

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Transforming a Lubriano Door

This transformation is dedicated to my dear friend Diana Armstrong. She and her husband David were adventurous souls who followed a dream that many of us have…they bought a place in Italy! And not just any place.

They have a beautifully charming home in Lubriano, Italy, where she spends time looking out at this view of the hilltop town of Civita di Bagnoregio. Here, she writes her beautiful books about Italian life, her father’s war, and cooking. If you are a late comer to my articles of Italy, please take a moment to see more about her life and accomplishments in my 2016 article titled, “Covering for Friends”.

Much of the charm of the Armstrong’s compound comes from the fact that their residence is part of a converted, 400-year-old monastery. In her first book, "Somewhere South of Tuscany: 5 Years in a Four-Cat Town" (2010), Diana tells the story of how they came upon, purchased, and renovated their home. In her second book, “A Winding Path to Umbria: The Silent Bridge of Time” (2016), we learn that her father was within that very same view, as he was part of the allied forces who fought to take that town.


The Door in Lubriano

Diana, you most likely know this door well…but as you will see, it is in better shape in my version, than in reality.

You pass by this door as you turn right out of your house toward Piazza Col di Lana…it’s just down a bit on the left. Specifically, it is number 2 Via Roma.

Here we see number 2 in all of it’s faded glory. Time, the weather, and neglect have left this once-proud door in very poor shape. In just moments, I plan to rectify that situation.

What do I need to do? Well, as is usual, I want to get rid of the more modern elements in this snapshot. For instance, the address plaque needs to go, as does the chain and padlock. How about that stopgap measure in the form of cardboard? That most definitely has to go bye-bye.


Stage One: Misplaced Artifacts Removed

Now…no cardboard, no chain and lock, and no address plaque.


Step 2: A Bit of Contrast and Saturation


Step 3: A Bit of Red Paint

The door is definitely old, so it will remain in a weathered condition, but I just don’t like that yellow-orange. Let’s go with a bit of red.


Step 4: Mood and Patina

Now were getting somewhere.


The Final Step

I like to put my transformed door and window photos into an 8x10 aspect ratio. The previous photos were too tall and skinny. To fit the photo into my desired 8x10, I had to add a bit to each side of the door to make the photo wider. So, I did just that.

Now, here is the final photo. It seems to be in the twilight hours, as it looks to be getting dark on Via Roma. Things seem to be much better now…maybe the owners would like me to come over to sand away that old paint and then paint the door anew. All they have to do is ask.


There you have it readers. And Diana, as you pass by, I’m sure that you won’t see that door in the same light, again.

Until next time…

Ciao for now,

Steve

Transforming for Light Within

Kind of a mysterious title, isn’t it?

Even with my iPhone, I crop the ‘keepers’ by clicking on that ‘Edit’ text

It’s not some sort of Zen thingie, but one of my photo transformations…this one taking a daylight scene, converting it to night, but adding a bit of light spilling out into the night.

Enough said…let’s get started.


The Original Snapshot

As always, we start with the raw snapshot that I captured “in the field’…this ‘field’ being the charming Piemonte town of Barolo.

As I often do, I captured my subject as a panorama…this one being composed of these 3 shots.

And alas, the three photos combined into a panorama…but a very small panorama, I must admit.

Oh my, why did I bother?! But, I had something in mind at the time. So, trust me…and stick with me for just a couple of minutes to see where this is going.


Mailbox Removal, Please

Let’s remove that large, ugly mailbox from the door.

Done…no mailbox.


Crop It

Now I’ve cropped in to my satisfaction. I recommend cropping almost any photo one takes. It is not often that when we snap we get a desirable composition. Even with my iPhone, I crop the ‘keepers’ by clicking on that ‘Edit’ text to work on the crop of the photo. There is most always a significant improvement.

Cropped to an 8x10 format


Saturate It

Now it’s time to work on the color, contrast, and such. So, just below, you see a more colorful scene.

An increase in the color


Day to Night and Cast the Light

For the finished image, I wanted to darken the photo into an early evening timeframe. That means that I added a bit of blue to any part of the photo that would not be lit from within. And there is that mysterious light within that I mentioned earlier. And that light had to spill out in a warm way onto the brick pavers just outside the doors.

So, here you have the finished photo…going from that ugly panorama to today’s completed transformation.

The finished transformation


So that’s it for today. I took a blah scene and transformed it into the way that I would have wanted to find it in the quaint town of Barolo…and yes, that’s from whence ‘The King of Wines’ (Barolo) hails.

We’ll add this to the list of completed transformations that you saw just last week collected into one place.

Until next time…

Ciao for now,

Steve